Whatever you’re shooting, there are few things more important than understanding camera lenses. Here’s everything you need to know.
Read time: 7 minutes
Forget what you’ve heard. It’s not just your camera that makes or breaks your shoot – your lens is equally important. Understanding lenses is a huge part of unlocking the creative potential we all crave as image makers, and every photograph and film you’ve ever seen looks the way it looks thanks in part to the lens it was shot with.
Now we’re not saying a good lens is more important than a good camera, all we’re saying is your lens has a huge impact on your images, and it’s an impact that’s often overlooked, especially among beginners.
So, with that in mind, here’s our ultimate guide.
Lens focal length explained
The most significant difference between different lenses is focal length. Technically speaking, a lens’s focal length is the distance between the convergence point of the rays of light coming into the lens and the sensor. The important part, though, is that focal length determines the angle of view.
You can think of angle of view as the camera’s field of vision – or how much is captured in the shot. Lenses are typically categorised as wide-angle, mid-range and telephoto as determined by their focal length. Mid-range lenses include anything from roughly 45mm to 60mm, with wide-angle covering anything less than this and telephotos anything more.
Image The 24mm focal length of this lens is clearly marked on the side
Your camera does have an effect on focal length, too, due to crop factor and sensor size. Full-frame sensor cameras don’t affect the lens’s focal length, but smaller sensors such as APS-C and Micro Four Thirds (which have a crop factor of 1.5 and 2 respectively) make your focal length longer. To work out the real focal length, multiply the lens’s focal length by the crop factor. For example, a 50mm lens would be 75mm on an APS-C sensor camera.
There’s more to focal length than just angle of view, and over the coming weeks we’ll delve into wide-angle, mid-range and telephoto lenses in more depth. But for now, let’s move on.
Prime lens vs zoom lens
Prime vs zoom is a battle that’s raged among photographers for decades. A zoom lens covers a range of focal distances – for example 70-200mm – while a prime lens has a fixed focal length. There are benefits to each, of course. For example, zoom lenses are more versatile by nature, but they’re also bigger and usually slower than primes.
Image This zoom lens has a focal range of 18-55mm
After focal length, aperture is perhaps the second biggest factor in understanding camera lenses. Aperture is simply a measure of how much light comes through the lens, measured in f/stops. As our exposure settings guide explains, there’s a visual impact of aperture and that’s depth-of-field.
In short, a narrow aperture results in a deep depth-of-field, while a wide aperture does the opposite. Depending on what you’re shooting, you may want to opt for a ‘faster’ lens, meaning one that can create a shallower depth-of-field when you want it.
As we mentioned, zooms are usually ‘slower’ than primes meaning they can’t achieve the same shallow depth-of-field. Often, the maximum aperture of a zoom lens changes as focal length increases through the zoom range, meaning your aperture could go as low as f/4 at the wide end of the zoom range, but f/5.6 at the longer end. This doesn’t happen with constant aperture zoom lenses, but they tend to be more expensive.
Yes, autofocus is mainly determined by your camera, but it’s also determined by your lens. At least in the sense that your lens has to allow autofocus.
Manual focus-only lenses are fine for the majority of situations and a big plus is that they’re often significantly cheaper than autofocus lenses. It’s certainly something you should consider when looking for a lens. Are you really never going to use autofocus? The choice is yours, but it may be better to have it and not need it than need it and not have it.
Minimum focusing distance and magnification ratio
Minimum focusing distance is exactly what it sounds like – it’s a measure of how close an object can be to the lens and still be in focus. On the opposite end of that scale, you have infinity focus, which means that beyond a certain distance, everything will be in focus. Your lens may not have a marked point for infinity focus, but it will definitely have a minimum focusing distance.
Image On this retro lens, infinity focus is marked with the ∞ symbol
It’s unlikely that magnification ratio will have much of an impact on your decision to buy a lens unless you’re a macro photographer, but it’s still good know-how for understanding camera lenses. Magnification ratio is the ratio between the size of an object in real life and the size it is captured on the sensor. With a 1:1 magnification ratio, the object in real life and the object on the sensor will be the same; with a ratio of 1:2, the lens reproduces objects at half their real size; and so on.
Your camera itself can have image stabilisation, but so can your lens, in the form of Optical image stabilisation (OIS), which is just another way of reducing shake in your photo or video. Naturally, the ability to capture smooth video is nice, but for stills shooters, OIS can mean shooting handheld at slower shutter speeds and more.
What is the ø on a lens?
If you’ve looked at a lens and wondered what that O with a line through it is, you’re not alone. It’s simply a symbol denoting filter thread size. This is the diameter of the end of the lens in millimetres, which you’ll need to know if you’re looking for a filter or anything else that attaches there.
Image This lens has a 58mm thread size, as seen on the left
Like many of the features covered here, weather resistance will likely only be something you look for if you know you’ll need it. If your camera itself doesn’t have weather resistance, it might seem redundant, but it’s likely you’ll upgrade your camera before your lens, so it might still be worth considering.
How to choose a lens
We’re strong believers that any gear you buy, any setting you choose and any other shooting decision you make should be informed by what you actually want to photograph. If you know your niche, fantastic – get a lens to suit it. If you don’t and need something versatile, there are plenty of lenses for that, too.
It’s also worth noting something you probably already know: not all lenses fit all cameras. In an ideal world, they would, but as it stands, your camera has a specific lens mount and only lenses of that mount will fit – without an adapter that is.
We’ve covered all the basics and you’re well on your way understanding camera lenses, but if you want to get more in-depth with wide-angle, mid-range and telephoto lenses, stay tuned for more lens guides, coming soon.